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A Little Devil in America

In Praise of Black Performance

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**As featured on Barack Obama's Summer 2022 Reading List**

Winner of the Gordon Burn Prize
Winner of the 2022 Andrew Carnegie Medal for Excellence in Nonfiction
Finalist for the National Book Critics Circle Award
Finalist for the Pen/Diamonstein-Spievogel Award for the Art of the Essay
Shortlisted for the National Book Award
'Gorgeous' - Brit Bennett
'Pure genius' - Jacqueline Woodson
'One of the most dynamic books I have ever read' - Clint Smith
At the March on Washington, Josephine Baker reflected on her life and her legacy. She had spent decades as one of the most successful entertainers in the world, but, she told the crowd, "I was a devil in other countries, and I was a little devil in America, too". Inspired by these words, Hanif Abdurraqib has written a stirring meditation on Black performance in the modern age, in which culture, history and his own lived experience collide.
With sharp insight, humour and heart, Abdurraqib explores a sequence of iconic and intimate performances that take him from mid-century Paris to the moon — and back down again, to a cramped living room in Columbus, Ohio. Each one, he shows, has layers of resonance across Black and white cultures, the politics of American empire, and his own personal history of love and grief — whether it's the twenty-seven seconds of 'Gimme Shelter' in which Merry Clayton sings, or the magnificent hours of Aretha Franklin's homegoing; Beyoncé's Super Bowl show or a schoolyard fistfight; Dave Chapelle's skits or a game of spades among friends.

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    • Publisher's Weekly

      Starred review from January 18, 2021
      In this staggeringly intimate meditation, essayist and poet Abdurraqib (Go Ahead in the Rain), chronicles Black performance in American culture. Broken into five “movements” consisting of essays, fragments, and prose poems, Abdurraqib weaves cultural analyses with personal stories. “On the Certain and Uncertain Movement of Limbs” captures Whitney Houston’s performance at the 1988 Grammy Awards (“And I will tell you what I know, and what I know is that Whitney Houston could not dance”). In “On Going Home as Performance,” Abdurraqib commemorates Michael Jackson on the night of his death in a club where “there wasn’t enough space for the bodies to do anything except dance.” Abdurraqib shines a light on how Black artists have shaped—and been shaped by—American culture: he outlines Josephine Baker’s life as a performer and a spy, and examines the “magical negro” trope and “the laughter of white people” through performances by Dave Chappelle and magician Ellen Armstrong. Abdurraqib addresses his commentary to readers both alive and dead, referring to “my dearest dancing ancestors,” “magically endowed problem solvers,” the “non-Black reader or scholar of history,” and a “dearly departed band of brothers,” and his prose is reliably razor-sharp. Filled with nuance and lyricism, Abdurraqib’s luminous survey is stunning.

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  • OverDrive Read
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Languages

  • English

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