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Anita de Monte Laughs Last

ebook
3 of 3 copies available
3 of 3 copies available
THE REESE'S BOOK CLUB PICK FOR MARCH 2024
'I have goosebumps just talking about this story' REESE WITHERSPOON
'Smart, funny – and furious' MARIE CLAIRE
'Genre-busting ... A clear-eyed deconstruction of skewed value systems' FINANCIAL TIMES
It's 1985 and Anita de Monte, a rising star in the art world, is found dead in New York City. Thirteen years later, art history student Raquel is preparing her final thesis, feeling the pressure to work twice as hard for the same opportunities as the wealthy students around her. Anita's name – and the mysterious circumstances around her death – has all but faded from view.
When Raquel becomes romantically involved with a well-connected older student, she finds herself unexpectedly rising up the social ranks. But then she stumbles upon Anita's story, and is struck not only by the question of who gets to leave a legacy, but by how her own relationship eerily mirrors that of the forgotten artist . . .

* A NEW YORK TIMES, ELLE AND GOOD HOUSEKEEPING HIGHLIGHT FOR 2024 *
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    • Publisher's Weekly

      Starred review from November 20, 2023
      Gonzalez (Olga Dies Dreaming) takes inspiration from the mysterious 1985 death of Cuban American artist Ana Mendieta for this astute account of an art history student who researches the circumstances of a similar tragedy. Award winning Cuban artist Anita de Monte, who is married to successful minimalist artist Jack Martin (a stand in for the sculptor Carl Andre), mysteriously plummets to her death from the window of their 33rd-floor apartment in New York City. Gonzalez then jumps to 1998, when third-year Brown University art history student Raquel Toro is on the brink of starting her senior thesis on Martin. Raquel begins a coveted summer internship with Belinda Kim, an acclaimed Asian American feminist curator opposed to the “art for art’s sake” philosophy trumpeted by Raquel’s white thesis adviser. Under Kim’s tutelage, Raquel learns of de Monte’s mysterious death, propelling her research on Martin in an unexpected direction. Her own life begins to resemble de Monte’s when she falls for a Brown classmate, a wealthy white up-and-coming artist with ties to the New York art world. Just as de Monte played second fiddle to Martin during their marriage, Raquel’s boyfriend downplays her research, and both relationships fray due to the men’s deceitful and manipulative behavior. In addition to the intrigue generated by Raquel’s search for answers about de Monte’s death, Gonzalez crafts excoriating and whip-smart commentary on the art world’s Eurocentric conceptions of beauty and the racism faced by first-generation students of color. This is incandescent. Agent: Mollie Glick, CAA.

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  • English

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